the immaculate collection: a queer tangent in tapestry, indianapolis art center, 2022; photo courtesy of indianapolis art center; photo credit: whitney alderson photography
queer abstraction, des moines art center, 2019; photo courtesy of des moines art center; photo credit: rich sanders, des moines
boundless encounters: 2019 hangzhou triennial of fiber art, zhejiang art museum, 2019; photo courtesy of zhejiang art museum
Madonna di San Sisto (dopo Raffaello Sanzio da Urbino), 2020, cotton, wool, and glass beads
biennale internationale du lin de portneuf, église saint-joseph de deschambault-grodines, 2015
For Félix (yellow like sorrow), 2021, cotton and glass beads
the immaculate collection: a queer tangent in tapestry, indianapolis art center, 2022; photo courtesy of indianapolis art center; photo credit: whitney alderson photography
queer abstraction, des moines art center, 2019; photo courtesy of des moines art center; photo credit: rich sanders, des moines
boundless encounters: 2019 hangzhou triennial of fiber art, zhejiang art museum, 2019; photo courtesy of zhejiang art museum
Madonna di San Sisto (dopo Raffaello Sanzio da Urbino), 2020, cotton, wool, and glass beads
biennale internationale du lin de portneuf, église saint-joseph de deschambault-grodines, 2015
For Félix (yellow like sorrow), 2021, cotton and glass beads
the immaculate collection: a queer tangent in tapestry, indianapolis art center, 2022; photo courtesy of indianapolis art center; photo credit: whitney alderson photography
queer abstraction, des moines art center, 2019; photo courtesy of des moines art center; photo credit: rich sanders, des moines
boundless encounters: 2019 hangzhou triennial of fiber art, zhejiang art museum, 2019; photo courtesy of zhejiang art museum
Madonna di San Sisto (dopo Raffaello Sanzio da Urbino), 2020, cotton, wool, and glass beads
biennale internationale du lin de portneuf, église saint-joseph de deschambault-grodines, 2015
For Félix (yellow like sorrow), 2021, cotton and glass beads
the immaculate collection: a queer tangent in tapestry, indianapolis art center, 2022; photo courtesy of indianapolis art center; photo credit: whitney alderson photography
queer abstraction, des moines art center, 2019; photo courtesy of des moines art center; photo credit: rich sanders, des moines
boundless encounters: 2019 hangzhou triennial of fiber art, zhejiang art museum, 2019; photo courtesy of zhejiang art museum
Madonna di San Sisto (dopo Raffaello Sanzio da Urbino), 2020, cotton, wool, and glass beads
biennale internationale du lin de portneuf, église saint-joseph de deschambault-grodines, 2015
For Félix (yellow like sorrow), 2021, cotton and glass beads
the immaculate collection: a queer tangent in tapestry, indianapolis art center, 2022; photo courtesy of indianapolis art center; photo credit: whitney alderson photography
queer abstraction, des moines art center, 2019; photo courtesy of des moines art center; photo credit: rich sanders, des moines
boundless encounters: 2019 hangzhou triennial of fiber art, zhejiang art museum, 2019; photo courtesy of zhejiang art museum
Madonna di San Sisto (dopo Raffaello Sanzio da Urbino), 2020, cotton, wool, and glass beads
biennale internationale du lin de portneuf, église saint-joseph de deschambault-grodines, 2015
For Félix (yellow like sorrow), 2021, cotton and glass beads